2011 was an excellent year for television. Anyone who knows me, knows that I am huge television afficinado. Even I am not quite certain how I manage to watch the wide array of scripted shows that I do, but I somehow manage it. My taste in television tends to run to the serial, rather than episodic, and is exclusively scripted. I do not watch any reality television – from Jersey Shore to the Food Network.
So, without much fanfare, here are the shows that I have selected as the best shows of 2011.
The Killing
Set in Seattle, this show takes the “murder-a-week” crime procedural and spins it on its head. Featuring a dark and moody ambiance, it examines the murder of Rosie Larsen. Each episode corresponds roughly to a single day in the investigation. The show takes a highly serialized approach – honestly, its more of a long mini-series than a traditional episodic television show.
The main character, Sarah Linden, is a female detective in early early to mid thirties. She grew up in the foster care system and is engaged to be married and is planning a move, with her son, to Sonoma, California. The murder of Rosie Larsen begins to become an obsessive quest for this detective. Mireille Enos brings to life one of the more unique female characters on American television. She is supported by an extraordinary cast, especially by Michelle Forbes. Ms. Forbes is one of television’s best character actresses – her credits include science fiction favorites Star Trek: The Next Generation (Ensign Ro Laren) and Battlestar Galactica (Admiral Helena Cain) to the wife of psychologist Paul Weston (In Treatment) and mad Maenad Maryann Forester in True Blood. Both Ms. Enos and Ms. Forbes received Emmy nominations for Best Actress in an Drama and Best Support Actress in a Drama.
The writing is tense and tight. While the middle of the season does begin to follow a “red-herring” trope, the finale leaves the audience poised for more, instantly. The Killing will return to AMC sometime this spring.
American Horror Story
Normally I am not a fan of horror as a genre – I have a fairly vivid imagination, and horror often will keep me up at night. However, Ryan Murphy and Brad Falchuk have managed to create a gripping story that I felt compelled to watch. American Horror Story revolves around the Harmon family as they move from Boston to Los Angeles. The move is precipitated by wife Vivien discovering her husband, Ben, in bed with one of his female students. The Harmons move to Los Angeles, with their daughter Violet, in the hopes of starting fresh and putting the past behind them. Ben is portrayed by Dylan McDermott (The Firm, Dark Blue) and Vivien by Connie Britton (Friday Night Lights).
Of course, once they arrive, they find that the past is all they can cope with. The house, of course, is haunted by any past inhabitant who has died there – and there are quite a few. Each episode opens with the past murder of someone in the house – from the gay couple who lived in the house immediately prior to the Harmons to the doctor who built the house in the 1920s. The history of the house is complicated further by neighbor Constance (Jessica Lange), who used to live in the house, the deformed Larry (Denis O’Hare) who also lived in the house with his family before he burned them to death, housekeeper Moira (Frances Conroy/Alexandra Breckenridge) and Tate (Evan Peters), a troubled boy with whom Violet quickly becomes involved.
The storyline is highly serialized, and the story of the Harmons comes to a close with the first season. Season 2, which will air in 2012 on FX, will focus on an entirely different “American Horror Story.” While Dylan McDermott and Connie Britton will not return, executive producer Ryan Murphy hopes to bring some unidentified actors from the first season back. However, if these actors return, they will portray entirely different characters.
Downton Abbey
Downton Abbey is produced by ITV in Britain, and airs in the United States on PBS’s Masterpiece Classic. The first season technically debuted in 2010 in the UK, but I am able to include in in this list because it first aired in the United States in January of 2011. I did not discover the show (it was recommended to me by the lovely Anne Sullivan, by-the-by) until I was preparing to take the bar this summer. I was not able to stop watching it until I had reached the end of the first season. Season 2 aired in the UK starting in September, and will be carried here in the U.S. beginning on January 8th.
The show begins on the morning that news of the Titanic’s destruction reaches England. Earl Robert Grantham (Hugh Bonneville) receives the news to his dismay. His cousin, and sole male heir, was on the Titanic and went down with the ship. For this family, the loss is more poignant because Earl Grantham has three daughters, none of whom are eligible to inherit the estate or title because of their gender. The estate will pass to a distant relative, Mr. Matthew Crawley (Dan Stevens), who joins the cast in episode two with his mother Isobel (Penelope Wilton). The servants of the house are no less involved – led by the Butler, Mr. Carson (Jim Carter) and the housekeeper, Mrs. Hughes (Phyllis Logan), they conspire and gossip among themselves over matters great and small.
Downton is created by Julian Fellowes. If you have heard of Mr. Fellowes, you heard of him because he co-wrote Gosford Park, which was directed by Robert Altman. Gosford Park and Downton Abbey have quite a bit in common – they both focus on upstairs-downstairs drama set in British country houses. They also both share one of my favorite actresses, Dame Maggie Smith (Harry Potter). Where Gosford Park (while one of my favorite movies) was often difficult to follow because of the large cast and complex relationships that are quickly unloaded on the audience, Downton Abbey is far more accessible. Further, the longer format (the first season had 7 episodes, the 2nd had 8) allows Fellowes to track the characters over a sweeping period of history.
The first thing that strikes you about Downton Abbey is the cinematography, which is among the most superb in the business. The show is simply gorgeous. The other factors, from set design to costumes, all complement an amazing visual image. The acting is no less nuanced – led by veterans Maggie Smith and Hugh Bonneville, the cast is outstanding. Each character is loved all the more dearly because of their flaws. The show’s focus on the family shifts in season two, as World War I has broken out. However, the show manages to blend drama with comedy very effectively and is quite addicting.
Boss
Kelsey Grammer returns to television as the mayor of Chicago, Tom Kane. In the first moments of the pilot episode, Kane is informed that he has a degenerative neurological condition which will eventually render him a vegetable. This complicates his efforts to run Chicago, and the Democratic party of Illinois, with an iron fist. He meddles with the gubernatorial primary and navigates a complex relationship with his political wife, Meredith.
Boss is best viewed with a wide angle lens. The show boasts strong performances, and is delivered more as an art film than a traditional television show. The cinematography is at times reminiscent of a demented version of A Single Man (starring Colin Firth). This is definitely not a feel-good show, as there are few people to sincerely like. Kelsey Grammer does an excellent job of portraying the complex figure of Tom Kane, a man you both hate and admire. Boss was renewed for a second season before the first had finished airing. I would encourage people to stick through some of the slow first episodes, as the pacing really picks up towards the end of the first season and left me very much looking forward to the second season.
Given Boss‘ fairly weak ratings, I would not expect a third season unless the show wins a fairly large number of awards.
Once Upon A Time
Once Upon A Time is both a dark modern fairytale and lighthearted. The premise of the show is that after Snow White and Prime Charming are married, the Evil Queen swears revenge. She enacts a curse that casts every fairytale character of yore into the modern world – Maine, to be exact. They are all trapped in a smalltown, Storybrooke, Maine, where time stands still and they know not who they are. However, the great hope is Snow White and Prince Charming’s daughter – who was sent into the world to escape the curse’s effects. Emma (Jennifer Morrison, House) is a tough bail-bonds person who is tracked down by the son she gave up for adoption years ago. The son, a young boy named Henry (Jared S. Gilmore), has been adopted by the mayor of Storybrooke, who is, of course, the Evil Queen (Lana Parrilla).
The charm of Once Upon A Time is its interweaving of modern retellings of classic fairytales alongside a new story as Emma begins to learn about Storybrooke and its inhabitants and unwittingly starts to unwind the curse. The show, unlike any of the others on this list, airs on network television (ABC) and is quite family-friendly. While I would not critically acclaim it as much as the others, it is the closest thing to Pushing Daisies (R.I.P.) that we’ve had in quite some time.
Homeland
Homeland, to me, was the clear standout freshman show this year. Clare Danes (Stardust, Evening) stars as CIA analyst Carrie Mathison – a young, brilliant but unstable analyst who becomes obsessed with the idea that recently recovered Marine Nicholas Brody (Damian Lewis) has been turned into an al Qaeda operative. Brody was held captured while stationed in Iraq and tortured by al Qaeda for 8 years before he was recovered in an American raid of an al Qaeda compound. He is given a hero’s welcome back to the States, but finds the homecoming is more complex as he attempts to reconnect with his wife Jessica (Morena Baccarin) and kids, Dana (Morgan Saylor) and Chris (Jackson Pace).
Homeland is produced by the same people who brought us 24 – however, instead of focusing on gripping thriller suspense, Homeland is a more intellectual and psychological look at deeply scarred individuals. Danes’ Carrie is clearly unstable but brilliant and Lewis’s Brody is obviously recovering from the deeply scarring experience of his captivity, while trying to reintegrate to a dramatically changed life from the one he left behind 8 years ago. The show weaves a constant tension of whether the audience should or should not believe in Carrie’s quest to prove that Brody is a terrorist.
The plotline is gripping throughout – every episode is superbly written, plotted, and acted. While there are a handful of plot devices that are predictable, I could never have predicted where the show’s stunning finale led. Season 2, which will air in the Fall of 2012 on Showtime, promises to be excellent.



























